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Absa Bank redefines intersection of art and finance in Africa

 In the world of banking, the mention of art might seem out of place. Yet Absa Bank is defying this notion, thanks to its more than three decades of association with the esteemed L’Atelier pan-African Art compe­tition.

For 37 years, the Absa L’Ate­lier has been one of Africa’s most prestigious art competitions, captivating artists and enthusiasts alike. What sets this competition apart is Absa Group’s transforma­tive decision to extend it to some of its markets across the con­tinent. Since Ghana’s inclusion in 2015, three Ghanaian artists – Henry Obeng, Michael Jackson Blebo, and Gandor Collins – have been crowned winners.

This bold move by Absa demonstrates its unwavering commitment to its clients and customers.

“What matters to our custom­ers is of utmost importance to us. The L’Atelier art competition clearly shows our dedication to meeting the needs of our customers in every possible way. Art is a common platform for bringing people together in Africa and Ghana. By associating with this art platform, we bring our customers closer and foster stron­ger connections, “Nana Essilfuah Tamakloe, Director of Marketing and Corporate Relations at Absa Bank Ghana, said in an interview.

As part of the 2021 prize package, The Absa Gallery in­troduced country tours, allowing some winners to exhibit their home countries.

Ghana had the privilege of hosting the roadshow exhibitions in 2023, with Michael Jackson Blebo, the 2021 winner, lead­ing a group of artists, Adelheid Frackiewicz and Ayobolo Kekere-Ekun, from South Africa and Nigeria respectively.

At the Institute Museum of Ghana, Noldor Residency in Ac­cra, the exhibition titled “Refuge: An uncommon home” provided a captivating experience for art en­thusiasts. Michael Jackson Blebo expressed his excitement, saying, “The L’Atelier competition gave me the platform to showcase my talent to diverse audiences across the continent. It was an exciting period in my career journey, and I hope to leverage that success to take my career to new heights.”

The exhibition delved into themes that spoke to the artists’ self-reflective journey through art, confronting personal trauma, and anxieties about the past and future.

Using a blend of objects and traditional materials, they deli­cately navigated the creation of these artworks, discovering solace and tranquility within their own personal spaces.

 BY DAVID ADADEVOH

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